Posts Tagged ‘sci-fi’


The writing life, for the most part, is not glamorous, but every so often, something really fantastic happens, and it reminds me of the reasons I wanted to do this. I’ve made a commitment to chronicle these things as a way of keeping myself from taking it for granted. I call these my “Rockstar Moments” because they make me feel like a rockstar! My most recent Rockstar moment came a few days ago.

Recently, I’ve been assisting my friend and fellow horror author, Tamara Thorne, in proof-reading some of her earlier books which are currently being converted into eBook format. Tamara does all the hard stuff – I just double check for typos that the scanning sometimes produces. I’ve been a Tamara Thorne fan since the ’90s, so really, it’s just an excuse for me to read really good books. Anyway, the latest Tamara Thorne book that’s been successfully converted into eBook format is Eternity.

Until I started proofing it, I’d never read Eternity, so this one was especially fun. I’ve read (and in several cases re-read) Bad Things, Haunted, Moonfall, and The Sorority Series (Eve, Merilynn, and Samantha) but there were still a few out there that I hadn’t had the chance to get.

I plowed through Eternity, trying very hard not to demand the chapters from Tamara faster than she could restore and send them. Whereas most great stories have their climactic end, Eternity felt to me like one big, wonderfully on-going peak that just kept getting higher and higher. Seriously. This book has it all: serial killers, famous missing persons, horror, shrewd humor, murder mystery, a dash of sci-fi, and even a bit of romance. What’s not to love?

So the fact that I genuinely love this book only makes my recent Rockstar Moment that much sweeter. After the conversions were finished, Tamara sent me the file to look over, and this is what I saw:

This is probably one of the coolest things that’s ever happened to me. I couldn’t be more honored.

Thank you, Tamara, for your very kind gesture. Words fail.

Eternity is now available in eBook at: http://www.amazon.com/Eternity-ebook/dp/B00AA3WWW6/ref=sr_1_7?s=digital-text&ie=UTF8&qid=1353445662&sr=1-7&keywords=Eternity. It will be re-released in paperback next year.

Also, be sure to check out Tamara’s Little Blog of Horrors at: http://tamarathorne.wordpress.com/

Advertisements

C.J. Cherryh is one of the most prompt, and easy-going people I’ve ever met. When I asked her if she’d like to participate in my recent author interviews, she said, “Sounds great.” I sent her some questions, and within fifteen minutes she’d responded to them all!

She is the author of more than 60 science fiction and fantasy novels, which in and of itself, is astounding. She has several Hugo award-winning novels, and even has her own asteroid: 77185 Cherryh. The folks who discovered the asteroid had this to say about her: “She has challenged us to be worthy of the stars by imagining how mankind might grow to live among them.”  To learn more about C.J., check her website out at: http://www.cherryh.com/

Q: Was there a defining moment in your life when you decided you wanted to be a writer?

A: Pretty well when they canceled my favorite TV show [Flash Gordon, the old serial] and there were no books like that in the library. I was 10.

Q: When you did start writing, were the people around you supportive of you?

A: My mother heard my ambition of the week and said, sternly, a very eye-opening thing: “Do something to eat.” This made me, at 10, wonder how writers got paid, and how they got to be writers. I decided publishers wouldn’t come to me, I had to get to them somehow, and meanwhile I had to eat. Teachers, I thought, had summers off. So I planned to be a teacher, so I could write.

Q: How long after you wrote your first novel did you get published?

A: Twenty years.

Q: How did you celebrate when you first got published?

A: Nobody I knew was home or would be for a week or so. So I went down and spent 200.00 completely redecorating my little office, repainting, putting up a mural, new carpet. And furniture. It wasn’t much. I invited my relatives in to admire it. They were amazed. My mum asked, “What prompted this?” I said: “I sold a book.”

Q: Is it true that early in your career you had to rewrite several manuscripts because the publishers misplaced them?

A: Yep. Moshe Feder found one at Ace, fallen down behind a cabinet, years later, and took it to an editor, who recognized it had long since been published in more than one language. I received it in the mail and couldn’t think what sort of fan would give you such a gift—I didn’t even recognize the typing: it was that old. Then I realized it was one of the old ones. I didn’t hear the whole story until Moshe told me his half of it at a convention. They lost that one 3 times.

Q: When you first began writing science fiction, was it difficult for you due to the fact that the majority of sci-fi writers were male?

A: I had no idea. I’d never been stopped from being or doing anything because I was female, except being shunted into a detestable home ec class instead of shop (but I still have all my fingers) and realizing I couldn’t fly fighter jets (but my vision wouldn’t let me do it anyway.) I write under initials because that’s the way my addy stamp was made up, because (the third reason) I lived in a rough neighborhood and didn’t like having a solo female name on the door. I’d have met them in the hall with a Persian saber—I competed in fencing—but I didn’t intend to let rascals even get the idea.

Q: Your writing voice is unique and especially powerful. What can you tell us about how you developed your style?

A: The key is viewpoint—understanding how to ‘be’ the person you’re writing about.

Q: You have won the Hugo Award for Best Novel two times, and the Best Short Story Hugo. What has that like?

A: Really, it’s hard being up for something: you do get nervous. And then I felt bad because I’d beat out some friends who also wanted it really badly.

Q: What does your writing space look like?

A: I have a little recliner beside a window in my bedroom, and I face a telly which provides white noise. I am frequently assisted by a cat.

Q: How many languages do you speak?

A: I know Latin, Ancient Greek, my best ones; can get along in French, once I get it going; and Italian [a Latin student is cheating on that one.] I know a little Russian, can muddle through several Romance languages in Latin, as long as it’s not too wild; and a couple of others.

Q: Do you write anything outside of the Science Fiction genre?

A: Fantasy. Jane and I are talking about collaborating on the next vampire book.

Q: What has your greatest moment as a writer been?

A: I think when I went to my first convention and met people who’d actually read my books.

Q: What is your writing process?

A: I outline a little, because I have a life, and travel, and need to pin the bare bones down so I can remember it. Then I don’t look at that unless I need it and just go forward. If I get stuck I start editing from the beginning. A good shower is really essential to the process, too. If you get stuck, shower.

Q: Which of your own books is your favorite and why?

A: Gate of Ivrel remains dear to my heart; Cyteen is one I’m quite proud of.

Q: What is the best novel you’ve ever read?

A: Hard to say: that varies by my mood. Jane and I read each other’s, and of course we love what we’re working on. Vergil’s Aeneid occupied a lot of my college study: he had a great influence on my sense of expression—Latin’s impressionistic and tricky. He was a great ‘sensory’ writer and it doesn’t come across well in English.

Q: What is the most discouraging thing about being a writer?

A: Isolation. There is NO instant gratification in the writing biz. It’s a long battle with white space. But it’s wonderful when it’s going well.

Q: How large of a role do you play in the marketing of your novels, and what are some of the best marketing strategies you know of?

A: Since NY has not been able to keep up backlist—Jane Fancher, Lynn Abbey and I formed our own e-book company for just the 3 of us, to keep our backlist in print and to experiment with books and stories that the bean-counters who try to dictate to publishers what they CAN buy — might not like.

Q: What do you like to do when you aren’t writing?

A: I garden, I do fish tanks, I figure skate, I travel, I hang out with my friends.

Q: When you were little, what did you want to be when you grew up?

A: In the same month I wanted to be a writer? An astronomer and a fighter pilot. Astronauts weren’t on the horizon yet.

Q: Are you working on anything now, and can you tell us about it?

A: I’m working on a Foreigner book, I’m putting out the Rusalka books (3) as e-books, I’m advising the Audible people who are doing some of my books, I’m talking with Jane about that vampire novel, and meanwhile we’re doing our own covers and conversions, and thinking up other stories.


     

     Me and my friends’ Kim (Williams-Justesen) and Joe (Ostler) talked about forming our own critique group for many months before we ever got together and actually did it. The trouble was that the project Kim and I were collaborating on was very high in gore and horror, and I, being the nice guy I am, didn’t feel comfortable corrupting poor Joe by subjecting him to the nastiness and raw morbidity of our story, (little did I realize at the time that Joe has his own unique brand of deviance ~ but hey, I was trying to be nice!) Just kidding, Joe. 😉

So, as Kim and I wrapped up An Evil Heart, we both began new (and far tamer)  projects which we used in our critique group of three. The interesting thing about our group is that I write Horror/Supernatural, Kim writes for Middle Grade and Young Adult, and Joe writes Sci-Fi/High Fantasy, so the contrast of our styles creates a fun dynamic. The three of us were only able to meet twice though. I am leaving the state in two days from now, but we plan to continue the group through Instant Messenger and e-mail, but already, in the short time I have been a participant of a critique group, I have learned a good deal.

A critique group is an assembly of writers who’ve come together for the purpose of gaining insight and feedback from other writers, and no matter how good a writer you may be, there can be no arguing the benefits of being part of one. Critique groups may be as large or small as the group desires. They may be done face to face, over the phone, or online.

The beauty of the critique group is that however polished a writer may be, he or she will undoubtedly overlook some necessary detail at some point in his or her story. The other member’s of the group will hopefully be able to see these snags and help the writer smooth them over. Editors, agents and publishers don’t want raw and sloppy rough drafts. They want polished, revised material that has been read and critiqued, preferably a few times over. A critique group can help a writer be sure that the material he or she sends to an agent or editor is clean, concise, and professional.

     There are however, those groups of writers who do not have their fellows’ best interests at heart. I’ve heard many horror stories about really nasty critique groups whose members were apparently more interested in stroking their own egos than becoming better writers. These kinds of folks undoubtedly run rampant in writing communities worldwide. These kinds of writers aren’t hard to spot and should be avoided at all times. When someone works up the courage to allow his or her work to be viewed by others, I think we need to respect the vulnerability of the writer. That’s not to say that honesty isn’t imperative, it absolutely is, but honesty in and of itself does not need to be cruel. Writer’s are up against enough rejection and damage without having his or her peers standing in line to take turns crushing him or her. Critique groups should be constructive and supportive, and if they aren’t, find a new one. End of story.

Critique groups are as good (or bad) as the members make them, and I am grateful to have a pretty good, albeit very small, group of trusted writers to share my work with. It’s a disconcerting and unfortunately very necessary thing to lay your heart out and ask to be critiqued. To find just a handful of people who I feel comfortable asking feedback from is a wonderful thing.

     The world in general loves to give its opinion and whether you ask for it or not, you are going to get it. The trouble is, you have to be very careful who you listen to. The way I see it, you can divide the world’s population into three groups. The first (and probably largest) group, are those who really just don’t much care whether or not you succeed or fail. The second group is what I call the “cockroaches”. These guys will go out of their way to try to sabotage your success and sense of self-confidence. And the third and final group is the group you need to stick with. These are the folks who want to be better people themselves, and who want to help you become a better person.

So if you are thinking of joining or creating  your own critique group, my advice is to be sure you are among good company because, as important as it is to get feedback from other people, it’s even more important that you don’t give up on writing at the hands of someone who took it upon him or herself to let you know how bad you suck. We all suck or have sucked at some time or another. Totally sucking is the first step of good writing, so if you have to suck, why not suck with the best of them? 🙂

Write on.