Posts Tagged ‘twilight’


As well as being a multi-published author, Dawne Dominique is also a cover art designer. In fact, Dawne is responsible for the cover art for Beautiful Monster (scheduled for release September 1st, 2012 by Damnation Books LLC) written by myself and Mimi A. Williams~ and neither of us could be happier with the work Dawne did for us!

As I’ve been getting to know her, I’ve been struck by Dawne’s kindness, her passion for her work, her flexibility with the authors she works with, and of course, her talent. When Mimi and I saw the draft of the cover art design for Beautiful Monster we were absolutely thrilled. So thrilled in fact, that we overlooked Sterling’s eye color in the picture. When I realized we’d made a rather big deal of Sterling’s piercing blue eyes throughout the novel, I thought I’d probably better see if it wasn’t too late to ask Dawne if we could make the alteration. I was a bit nervous about doing this because first of all, I was worried it was going to be too late, and second, I didn’t want to seem persnickety about the very good work Dawne had done for us. I realized I’d be happy with the cover either way, but finally decided it was worth asking about on the off-chance it wasn’t to late to make changes.

As it turned out, it wasn’t too late. Within a few hours of talking to Dawne about the cover, I received an updated draft of the cover on which Sterling looked back at me with a pair of the brightest, bluest eyes I’d ever seen. I still can’t stop staring at it!

Dawne Dominque will always be a very special person to me. I liken her to a kind of magician. She made my fictional character real. She gave corporeal life to the man I plucked from somewhere in my own twisted mind. If that isn’t magic, I don’t know what else is.

Interviewing Dawne was a ton of fun and I look forward to working with her more in the future. For more about her, her novels, and her cover art, visit her at: http://www.dawnedominique.com/

Thank you so much for having me here today, Jared.

Q: Why did you decide to get into cover art design?

A: It was quite by accident. I was designing signs and banners for authors in my writing forum. When I was approached by a publisher to submit a novella for an erotic cowboy anthology, she suggested I do the covers for each eBook submission, and then the print format. It was the first time I became a published author and a cover artist.

Q: Over the course of your career, about how many novels have you done the cover art for?

A: *chuckles* You know, I was just thinking about that the other day. I’d guesstimate well over a 1,000 covers, with the majority of them eBooks. I began as an artist at the start of the eBook emergence. Let’s see:  I do about 30 covers minimum a month (sometimes more), as I work for several publishers: two of them release quarterly, and the majority release monthly. So, let’s multiple that by seven years. I wasn’t doing as many in the earlier days, but now it’s crazy nuts…and I love it.

Q: Are there any covers that you are especially proud of? Why?

A: Geeze!  There’s too many to count. The first one that made me realize I actually had some talent was a book cover called Hard Winter. Each cover is a personal experience for me. I know that sounds bizarre, but I try walking in an author’s shoes, getting inside their heads, so to speak. One of my recent favorites  is a Steampunk cover I did for an Indie author called The Hands of Tarot. Some of my horror favorites (and I’m not saying this because it’s you) is Beautiful Monster and Grim. I like some more than others. It’s way too difficult to pinpoint only one.

Q: What is the best part of being a cover art designer?

A: Hands down…an author’s reaction.

Q: What are the most significant ways technology has changed your career?

A: Well, to be honest, I self-taught myself everything I know. I prefer certain programs for certain formats. I began with a free drawing program called Serif. Then I upgraded to Photoshop. Every couple of years, I purchase an upgrade, which can do more magic. The old days of hand-drawn artwork is gone, and I’m thankful for it, as changes/revisions can be easily done with photo-manipulation.

Q: Along with the artwork, you are also the author of several novels. Which do you prefer: designing, or writing, and why?

A: That’s a tough question. Both are an integral part of me. I’ve always been a writer and artist ever since I could hold a crayon.

Q: What do you think is the most important quality a good writer must possess?

A: Their imagination.

Q: Which of your own novels are you most proud of, and why?

 A: My vampire series called The First. I began writing it well before the Twilights and True Bloods of the world. Hell, I’m still writing it. Unfortunately, the first novel was picked up and released by another publisher, who held it hostage for three years. An absolute horrid experience, which made me shelve the entire project, which was heartbreaking as I’d already had three novels written for it. Although it was a bad experience, it was one I learned a lot from, so in the end, it wasn’t so bad after all. It’s the reason why I work with the authors as I do—getting input with respect to their cover art.

Q: Are you writing anything now, and what can you tell us about it?

A: I’m editing Crimson Cries, which is about a chapter short of being finished. It’s the fourth novel to The First series. Then, there’s Surrender: Sins of the Father, the final novel. These aren’t your usual romance/paranormal novels. They call them “erotica” because there’s sex in them, but it’s not your fluffy, romancing stuff that dreams are made of. I’m a “say like it is” gal, and my writing is an extension of myself. No purple prose for me, thank you very much. With this series, I’ve blended biblical and mythology facts into fiction. The gist is why, where, and how the first vampires came to be. There’s several significant characters and a few “aha” moments.  It may surprise people to learn who was actually nailed to the cross that faithful day.  *grins*

I’ve also started another novel called Hellhound Bound. It’s only in its infancy stages, at about 13k being written, but it’s about a paralegal who gets caught up in a murder trial she’s working on. Of course, it’s speculative fiction, so there’s magic and paranormal aspects involved.

Then there’s several novels I  must get back to. I began as a classic fantasy writer, like Lord of the  Rings, but with kick-ass women heroines. I have an almost 200k fantasy novel that needs major edits. Finding the time is the main obstacle. Once The First series is completed, I plan to do some serious editing on them. My publisher has been itching to release them, but in my eyes, they’re not ready to venture into the world yet.

Q: What is the hardest part of being a writer for you?

A: Right now…finding the time to set my muse in motion. I work three days a week as a contracted paralegal (Thursdays being a ten-hour day). Every night I come home and do cover art. I try my best to use the late night to write. That’s my time. It’s not uncommon for me to look at the clock and realize it’s four in the morning.

Q: Who is the most difficult character you have written? Why was he or she so difficult, and how did you make it work?

A: Sam Ethbert. He’s an inmate on death row who dies by lethal injection and wakes to find himself being interviewed by two very strange men. Sadly, while he’s in prison, he’s convicted of anther crime he didn’t do—murder of another inmate.  It was the first story I posted in my writing forum in order to receive critiques. First, I had to think like man, and not just any man, but a career criminal. A few people who reviewed it were surprised to learn I was a woman.  *snickers* The story is written in first person, and for me, that’s always a challenge to write.

Q: Do you do the cover art for your own books?

A: Remember the horrid publisher experience I suffered? It all began with the cover they designed for me…with my name spelled incorrectly on front. Yes, I design every cover for myself…and man, oh, man, am I anal! I’m never satisfied.  hahahaha

Q: You did the cover art for Beautiful Monster, the novel written my me and Mimi A. Williams. What was your favorite part about doing that cover?

A: The finished product. When I’m nearing the end of the creative process, I always ask myself one question:  Would I be proud to have this as my own cover?

Q: In your e-mail you said that after reading our Author Information Forms you wanted to do the cover art for Beautiful Monster yourself. What made you interested in doing the artwork on this book?

A: It was the complexity of Sterling Bronson’s character that tugged at me, I wanted to show the two dimensions of him at first glance. Taking descriptions and creating the artwork is a challenge I strive on. And yours was certainly a challenge I wanted to delve into. ☺

Q: What was the most difficult part about Beautiful Monster’s cover art?

A: When I finally managed to get both features to blend realistically. *whew*

Q: Have I told you how much I LOVE the cover?!?

A: *blushes*  Yes. And because you love it, I keep smiling. My job is done.

Q: When you aren’t writing or designing, what do you like to do?

A: That’s not too often, let me tell you. I enjoy having a few beers on the deck. I’m a simple Canadian girl. Our winters are long—and damn cold. When summer arrives, that’s where you’ll usually find me…if I’m not chained to my computer in the dungeon.  If a good Blues band comes to the city, you’ll find me there dancing and partying. I really don’t go out much.

Q: Have you ever been stumped and not had any idea what kind of cover you were going to give a book? If so, how did you overcome it?

A: No, I’ve never been stumped, but I will confess that I’ve scratched my head at some ideas authors have given me. I always try to work with it as opposed to against it. If I know it won’t sell, then I design something of my own, trying my best to incorporate a few of those details. 99% of time, authors are stunned at what I’ve come up with. More times than not, we usually never have any changes. When an author tells me to “run with it”, those are best!  I allow my imagination to go wild. It’s why I adore doing horror cover art. I find little restrictions in that genre.

Q: What is the most challenging thing about being a cover art designer?

A: I’m a stickler for details, so I like to get it right the first time, with minor tweaks. More importantly, the artwork has to look realistic. There’s some covers out there that I’ve done that I don’t like, but the authors were adamant about certain aspects they wanted. It’s their cover, right? If they’re happy, so be it. But if it’s right off the wall, I’ll refuse, especially if I know it’s not going to sell. I’ve been in this business a long time, so I’ve learned a few things. Authors trust me, and that is by far the greatest compliment I could ever receive.

Q: What is the most rewarding?

A: As I mentioned earlier, it’s an author’s reaction. Knowing they’re proud to display their covers and boast about it, then I’ve done my job, and I’ve done it well.

Q: Do you find most authors to be easy to work with when it comes to their book covers?

A: In all the years that I’ve been designing cover art, only two have driven me almost over the edge. Needless to say, I survived, but barely. I’m adamant about allowing an author three drafts only. If we can’t get right in three, there’s something radically wrong. I’ve done up to 18 drafts before I pulled the plug. There was just no pleasing this author. There are times when they have this conception in their head about how their covers should look like, and nothing will deter them. No matter how close I came, it wasn’t good enough. Unfortunately, I refuse to work with that author again.

I’ve been absolutely blessed with the authors I’ve worked for and continue to work with. True, some are more pickier than others, but I’m an author, too. I understand where they’re coming from, and that gives me a distinctive edge. They keep coming back, so I must be doing something right.

Q: Were you an author or a cover artist first?

A: An author first and foremost. Without words, a cover can never be accomplished.

Q: What is the one question you wish people would ask you more often, and how would you answer it?

A: Well, you have me stumped there. I’m rather shy and modest, and would prefer talking about anything other than myself.

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     I don’t believe it’s possible to not be creative.  While some people may deem themselves “artists”, and others may think they don’t have a creative bone in their bodies, the only difference between these two groups, in my opinion, is their opposing senses of self-perception. But the truth is, we are human and we create… whether we mean to, whether we want to… or not.

     I’ve come to believe that, with or without our consent, the mind refuses to not be creative in some form or another, and that if creativity is suppressed, it will find whatever cracks it can to seep through and get the message to us. One of the most fascinating ways the mind tricks us into being creative is through our dreams.

     I read an article a while back in which Stephenie Meyer said that one night she had a dream about a girl in a forest with a boy. The girl was heartbroken and didn’t know what to do because she was in love with him but knew they couldn’t be together because he was a vampire and she was human. When she woke up, she wrote down what she could remember from the dream, and then started asking questions like how did the couple get into the forest, and where were they going from there. And that is how the whole Twilight series began.

     I have a friend who is a writer and he gets many of his ideas from a recurring dream where he is in a bookstore. In the dream, he is surrounded by books he has never seen or heard of. He browses books and reads the premise on the back covers, then when he wakes up, he takes those ideas and begins writing them.

    My own dreams generally make little to no sense, but once in a while, I dream something that either solves a major problem in my story for me, or gives me an entirely new story idea, proving to me that being uncreative is not possible. One dream in particular stands out to me as a good example of how the mind’s need to be creative imposes its will upon us.

     In this dream, I was in a monster-sized Barnes and Noble. I say monster-sized because it had to have been a thirty story building, and it was full of books. Rows and rows of books. Wall to wall, ceiling to floor books. It was beautiful. But that’s beside the point. I was sitting near a window at a small table by myself. I knew I was waiting for someone, but I didn’t know who. For some reason, in this dream anyway, that made perfect sense.

     A boy approached my table. I guess he wasn’t a boy really, but more of a young man. I remember looking up and being a bit stunned by this guy’s ornamental appearance. He had curly blond hair, eerily flawless skin, perfect teeth, and he seemed to exist inside a golden globe of light that somehow radiated from inside him. I knew this was the person I had been waiting for.

    The guy sat down and introduced himself. He told me his name was Alejandro. I remember being a little confused by his name. He didn’t look like an “Alejandro” to me, but whatever, I figured~ not my business. He was very cordial and smiled at me non-stop. He reached into a bag that he had apparently brought with him and pulled out a few sheets of paper that were stapled together. I looked it over and realized it was a resume of sorts.

    At some point, I realized I was giving this guy some sort of employment interview. He seemed eager to get the job, and although I don’t remember specifics, he went into a long monologue about his experience and the ways it would benefit me if I hired him. As he spoke, I noticed he had golden halos around the irises of his eyes. I asked him about them and he told me he was an angel who wanted to be the star character in my next story.

     I don’t remember anything else that we talked about; the details of the conversation were lost as soon as I woke up, but I guess I must have decided to “hire him”, because about a week later, I got this great idea about an angel whose original  mission is intercepted, landing him in a trailer park in Podunk, America where he must learn what it means to interact as a human, to help others as a human, and above all, to find and maintain his faith as a human.

     This dream was one of the most compelling and fascinating moments in my life. I would have never thought the mind, especially when unconscious, could conjure up and direct such effective methods of creative execution. Since dreaming this, I have looked deeper into the phenomenon of dreams and have found an astounding number of artists and creators who have pulled details from a dream and made it into something tangible in the waking world.

     All human beings are artists;  just being alive makes you an artist in your own right. I believe that the human mind will stop at nothing to find an outlet for creativity and that eventually, that need for creativity will stop taking no for an answer, and one way or another, whether conscious or unconscious, we will all be forced, by one means or another, to leave tangible strands of our inherent, creative DNA on the face of this planet. Creating is not our talent. It is not our right and it isn’t even our duty. Creating is our nature.

     Write on, and…