Posts Tagged ‘the writing process’


As I’m sure I’ve already mentioned, character writing is my favorite part of the fiction process. Nothing else–except maybe the finished product–is as satisfying to me personally as the moment a character begins to tell his or her story. Sometimes, they reveal themselves in slow sections, teasing you with their secrets and the private details of their personas. Sometimes, they come fully-formed in an in-your-face moment of undeniable clarity.

My intrigue with the process of character development is what keeps me writing, and it is what has prompted me to elaborate on it here, and dig a little deeper into some of the characters I’ve created, with the purpose of learning more about the mystery of it in general, and maybe even learning a little more about my own process. And, one of the most frequently asked questions any writer receives is about the development of characters, so I thought it might also be fun for the folks who have read my work to see the inner workings of my imaginary friends 🙂

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The first character that comes to mind, for some reason, is Brytt Tanner, Sterling Bronson’s dim-witted side-kick in Beautiful Monster, so I’ll start with him.

Brytt came into existence pretty early on in the plotting of Monster,  and if I remember correctly, it all started–as it often does–with his name. My co-author, Mimi A. Williams, met a man named Brytt in the workplace. The moment she mentioned the guy’s name, I knew I had to use it.

The first thing I knew about Brytt was that he was a stripper. I’m not sure why that was–again, probably the name. It just sounds kind of strippery, I guess.

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Next came his physical appearance. I figured a bulky, muscle-bound blond guy would be an interesting antithesis to Sterling’s dark, brooding good looks. I don’t like to create characters who look too much alike, and second, I’m a sucker for contrast. After ascertaining the basics of Brytt’s appearance, the next thing I did was start browsing the internet for his doppelgänger. This isn’t something I always do, but at times, I’ve found it helpful. So, I found a photograph of a guy that fit the mold, and referred to said picture when I needed to expound on details. I considered posting that picture here, but have ultimately decided against it. I think it’s best to let readers fill in their own blanks and use their own imaginations.

Not all of Brytt was pre-planned. He–like all good characters–came with a little of his own agenda, and one of the first things that surprised me was his dim-wittedness. I don’t know that I would have deliberately created him to be such a lunkhead, but as is so often the case, this is how he kind of “revealed” himself as I wrote him.

And it worked… which is also very often the case when you trust your characters to do their own things.

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It was also a surprise to me that Brytt was almost–but not quite–as morally corrupt, sexually deviant, and as dangerous as Sterling. In the beginning, Brytt was created, I think, simply as a means to give Sterling–who lives by himself–more opportunity for dialogue. But as the story progressed and began to demand artistic unity, Brytt began to play a significant role in the novel.

Brytt’s last name was tricky. A strange thing happened as we got further into the story. We started noticing a pattern… an absolute overuse–and abuse, really–of the letter C. We had Claire, Connie, Carlson, Cassidy, Carson, Carlisle, and probably several other names that began with the letter. I wish I could tell you why C became such a prominent player, but I can’t–I don’t know. Wierd things happen sometimes. So, after we made the discovery of the letter Cs undeniable overuse, Brytt’s last name–Carson–was changed to Tanner. Tanner, because at the time, I worked for a company with the word “Tanner” in the title. I’d been at the company for thirteen years, and figured it deserved some kind of recognition for paying my bills all that time. Unfortunately, Brytt probably isn’t really the most complimentary thing to be associated with, but for what’s it’s worth, I like him. He amused the hell out of me… and hey, it’s the thought that counts…

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I can’t remember if Brytt’s addiction to cocaine was a surprise or part of the plan, but this was the most fun, and most challenging thing about him. His constant “pit stops” kind of became his calling card, his personal catch-phrase in a sense, and it was interesting to describe the physical symptoms, like his glassy eyes and powder-congealed nostrils–and it was a total blast describing the actual snorting of the cocaine. I know… I’m kinda twisted that way, but it was fun. The snorting of coke is not glamorous. I wanted that to be very clear when Brytt did his thing, and it turned out being more hilarious than anything.

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Brytt is, believe it or not, one of my favorites. He was fun because he didn’t allow Sterling to take himself so seriously. Well, maybe Sterling took himself seriously, but Brytt made it impossible for me to take him–and the rest of the story–as seriously. Brytt is one of the reasons Beautiful Monster was so much fun for me. He moved the story along like a good character, he played by the rules by not demanding more stage time than his part required, and he forced me to learn more about the darker, sleazier side of life. I absolutely love him, and I have no doubt he will reincarnate, in some form or another, in my future writes.

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Beautiful Monster is available in paperback and ebook format at www.damnationbooks.com, and everywhere books are sold.

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It’s been thirteen months since me and my mentor/friend/writing partner Kim Williams-Justesen began writing our collaborative horror novel. Although technically finished several months ago, we are now in the process of revising the final draft. Currently, we’ve been spending anywhere between two and four hours on each chapter and have worked most days of the week. In a novel that contains a total of twenty-four chapters, that’s a lot of hours. (But as I write this, we only have two more chapters to go!)

Although the final round is probably the most arduous part of this process for me, it’s also the most rewarding.  Since writing the words The End, I’ve lost count of how many times I’ve read this novel front to back, but I’m guessing this must be the fifth or sixth time. Needless to say, I would have expected to be sick and tired of this novel by now. I would have expected that whatever passion I’d begun the novel with would have flickered out and died months ago. Strangely though, that isn’t the case. In fact, as we have labored to tighten and refine the novel, my passion has been not only been reignited, but it has climbed to greater heights than ever. I think it’s because this is where writers get to see their work come together, and can view the novel as a whole rather than in fractions. Also, the final round is your last shot to prevent embarrassing yourself before you place the manuscript in the hands of your trusted Beta Readers~ and these are the reasons why I believe this the most important part of the process.

The final round of revisions is the time to address all of the things that bothered you in the previous readings. This is where you must tackle those irritating little, (and sometimes big) weaknesses you’ve been putting off. This is where you add lines, subtract passages, sprinkle detail, rearrange dialogue, fill  in the plot-holes, fine-tune your characters, slaughter your “sacred cows”, and scrutinize all the text in search of grammatical errors and technical blunders. Kim and I currently live several states away from each other, so for us this requires a lot of sitting in front of the computer Skyping and IMing. Currently, my computer sits on a black ottoman in the middle of my living room where I sit on the floor to work. This has given me leg cramps, back aches, and neck and shoulder pain… not to mention a likely addiction to dramamine, given a ridiculously elevated proneness to motion sickness which I seem to have been born with. But that’s okay. This is where the real magic happens.

I went into the final round of revisions with a very clear, singular goal: to heighten the emotional impact. I decided that if something in the story was supposed to have a creepy effect, I wanted my skin to crawl. If a certain scene was supposed to make me feel sad, I wanted to be on the brink of tears. And if something was meant to be sickening, I wanted to feel the bile rise in my stomach. I decided I wanted to know what each character looks like, how each room smells, and mostly, I wanted to feel what every character was feeling.

As we have yet to be finished with these final edits, I can’t be sure how well we’ve done our jobs, but given my own emotional responses as we’ve fine-tuned the story these past weeks, I’m pretty confident we’re damned close to having what we want. In fact, just earlier today, due to my own mounting nausea, I had to take a breather from a particularly graphic scene and ask Kim to please not expound anymore on the topic. I don’t squirm easily, so to me, that’s a good sign.

As an added plus, the final round can reveal some wonderful new concepts. Today, I think Kim and I stumbled upon our perfect working title. As we were rewriting a scene, Kim wrote this beautiful passage that made the hair on the back of my neck stand on end, and both of us paused a moment, thinking the exact same thing. The project that began as An Evil Heart and soon became Gallery of Dolls, is now about to take a new name entirely: Beautiful Monster. Not that a books title won’t possibly change (or be changed) down the road, but I think it’s important to have a strong title. I liked Gallery of Dolls, but it always sounded too much like The Valley of the Dolls (a novel written by Jacqueline Susann in 1966) for my taste. Besides, I think the phrase “Beautiful Monster” in and of itself, is as contrasted as the personalities of our two main characters and therefore a pretty solid title for this book. Plus, to me, Beautiful Monster just kind of pops.

So that’s where I’m at right now. I haven’t been doing much blogging lately due to the demands of Beautiful Monster (I really do dig that title!), so I just wanted to take some time today to keep the connection in tact. Blogging is a bad habit to break!  In the meantime, my third novel is underway (with a much bigger set of balls now), and due to some weaknesses I’m just realizing, I plan to take my first novel, The White Room off the table for a few months to revisit it and give it some upgrades. I predict that in the next five to seven days, Beautiful Monster will be fit to be looked over by some Beta’s and from there, it’s just a matter of fixing any errors they might find, and then sending it out the door to find a home. By this time next year, my goal is to have three (maybe even four!) full-length works circulating throughout the world of agents and publishers… and to be well into the next big literary adventure.