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gypsy

This morning, we lost one of the lovingest, fiercest, itty-bitty, little forces to be reckoned with since pets were domesticated.

Gypsy’s Vixen ala Mode–aka Gypsy, aka Mrs. Loud, aka Little Houdini–passed away suddenly at approximately 7:20 this morning, after a short and unexpected bout of weakness, labored breathing, and sudden fatigue.

Gypsy was unusually small, even for a toy poodle, but her spirit was as big as any Great Dane’s. She enjoyed giving high-fives, rubbing her head on things, eating cheese with her daddy, cuddling with her mommy, and minding everyone else’s business. She had the temperament of a hunter, often seeming to be unaware of her petite size, and frequently getting in over her head because of this oversight. But she always prevailed.

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Gypsy also loved having her head kissed, getting belly rubs, running like the wind, and giving hugs. Despite her sudden illness, she endured long enough to pass away in her favorite place–her mommy’s arms. And at 8:30 this morning, we took Gypsy to the place she knew as home, and buried her with her green flannel pet pillow and her favorite black and white blankie.

We adopted Gypsy in 2000 from a resident at the Heritage Eastridge rehabilitation and retirement center in Salt Lake City, Utah. Her owner was progressing in age and having trouble caring for her. Although he called her Patricia, we changed her name to Gypsy partly because of the fact that ours was the fourth home she’d had in her short life, and also, we named her after the Fleetwood Mac song, Gypsy, which we are both fans of.

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(Gypsy with her mommy–her favorite place to be)

She is survived by Sven, her brother and companion of almost thirteen years. He will miss her dearly and her absence from our family will leave a hole that will never be filled.

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(Gypsy goofing off with her daddy)

We love you, Gypsy. We will always miss you and always love you. Rest in peace, Sweet Eyes.

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Although I try to keep this blog strictly related to writing, sometimes I like to veer off track a little. A couple of things have combined to inspire this particular post–mainly the passing of my thirty-sixth birthday a few weeks back–which apparently has caused me to ponder some things.

I don’t have children, and that is a choice I made at 22. At that age, doctors (or at least my doctor) refused to give me the snip despite my certainty that I’d never change my mind on the matter. I’ve made no effort since to get the cobra de-venomized–mostly out of laziness–and gratefully, I’ve fathered no children–that I’m aware of–in the meantime. That was almost 15 years ago, and I still haven’t changed my mind–but I will admit to having a kind of biological desire to pass something on.

So… on this long, hot, boring day, I’ve made a list of things I’ve learned–both from experience and from the experiences of others–that I’d like to think I’d take the time to teach my child–if I had ever had one.

Don’t judge me. Raising rhetorical children is no easy task. Why, I’ve spent almost an hour and a half on the little bastard today alone. This is my imaginary child, and I will raise it as I see fit.

But seriously…

101 Things I’d Like to Teach My Child

#1. Never let anyone tell you something isn’t funny. If you’re laughing, it is, in fact, funny.

#2. Age and wisdom are not necessarily synonymous with each other.

#3. Blood isn’t always thicker than water.

#4. If you set out to “get even,” don’t expect it to go as planned.

#5. Anyone who tries to isolate you from your friends and family is giving you the first warning of abuses to come.

#6. Insecurity is the root of the majority of all character flaws.

#7. Next to an absolute refusal to fail, integrity will take you further than anything.

#8. There are just as many people who will help you as there are who will hinder you.

#9. If you have no self-respect, it’s your own fault.

#10. Inspiration is a flake.

#11. Responsibility is a verb. Admitting fault is just the first step. Fixing the damage is key. If the damage is irreparable, accept that and learn from it.

#12. Never let anyone threaten you. And veiled threats are still threats.

#13. The underestimation of others’ intelligence is the ultimate practice of stupidity.

#14. Don’t maintain relationships with people who have no loyalty to you.

#15. Insecurity is absolutely a choice. And it’s a lazy choice.

#16. Yes, there are such things as grown men who need to talk to their mothers every day, and no, you do not need to be one of them.

#17. If you want to be respected, do respectable things.

#18. Before you criticize another person’s behavior, be sure you’re not guilty of the same thing.

#19. No matter how many times you watch a bad movie, it will still suck.

#20. Listen to people when they speak about their relationships with others. People tell you all the time who they really are.

#21. Choosing your company wisely isn’t self-righteous. It’s vital to good health and an industrious life.

#22. People come and go. Let them.

#23. Never think you’re so unique that the rules don’t apply to you, and never think bad people will make exceptions for you.

#24. If you want something, expect to work damned hard for it.

#25. There is a price for everything. Everything.

#26. If someone hurts you and apologizes for it, let the hurt go and forget the incident. If they do the same thing a second time, they are abusing you.

#27. Forgiveness is not saying something is okay. Forgiveness is the choice to let go of resentment.

#28. Sometimes you have to remove a person from your life in order to forgive them. That’s okay, but always forgive.

#29. You don’t owe anyone anything, and no one owes you anything.

#30. Don’t accept gifts from anyone who wants something in return.

#31. Envy is ugly at best and cancerous at worst. Never indulge in envy.

#32. You are not responsible for anyone’s feelings but your own, and no one has so much power that they should be allowed to dictate yours. Own yourself.

#33. Never let anyone tell you what to believe. Be silent, ask tough questions, and trust your instincts to tell you the truth.

#34. Make friends with people who possess the qualities you want for yourself. Step up, not down, and never let anyone tell you that’s arrogant or judgmental.

#35. Never let anyone invade your personal space, not even me.

#36. There will come a time in life when you’re given a choice between doing what others expect of you and choosing to be true to who you are. Choose to be who you are. It’s harder, but you’ll never know personal fulfillment if you don’t do it.

#37. It’s none of your business how people perceive you.

#38. Flattery only works when it’s genuine.

#39. Happiness is a feeling, and all feelings come and go. Acceptance is the closest you’ll ever come to a permanent sense of happiness.

#40. You don’t have control over other people and only fools think otherwise.

#41. There is a different between ignorance and stupidity. Ignorance is the lack of knowledge. Stupidity is a decision to remain ignorant.

#42. No matter what you love to do, there’s a way to make money doing it.

#43. You cannot control what other people think of you.

#44. Love is as much a commitment, a decision, as it is an emotion.

#45. Being at the mercy of your mood is one of the most self-defeating habits one can adopt.

#46. Never allow your children to openly criticize other adults. It makes everyone look stupid.

#47. Just because you have the constitutional right to express your opinions doesn’t mean you have to. Never let anyone tell you that you’re obligated to any cause.

#48. Life has enough drama. Avoid people who bring chaos and upset into your life.

#49. People who aren’t secure enough to introduce their friends to each other are questionable.

#50. You have control over your actions… and nothing or no one else.

#51. Don’t assume you can disrespect a person because they are in your house, and don’t allow anyone to disrespect you because you are in their house.

#52. You are not responsible for anyone’s actions but your own.

#53. Be leery of anyone who tells you how nice and trustworthy they are.

#54. The choices you make every day–large and small–will determine how your life turns out and who you become.

#55. If there is a devil, fear is his greatest tool, and if there is a god, forgiveness is his.

#56. Sometimes the line between honesty and cruelty is a thin one. Err on the side of kindness.

#57. Open as many doors for other people as possible. This is the best way I know of to get ahead.

#57. Addiction doesn’t die, it simply changes form.

#58. Always sincerely congratulate others for their successes.

#59. Very successful people have worked hard for it. Never assume they got lucky.

#60. Never say you don’t have time to read. We all know this is bullshit.

#61. Never, ever complain about your spouse. It makes you look foolish.

#62. Never assume doctors have your best interest at heart.

#63. There are things you can change about yourself, and things you can’t. Determine the difference and accept yourself.

#64. Never assume anyone is wiser than you.

#65. Figure out who you are before you’re thirty. Being a lost soul at fifty is laughable.

#66. Bitterness is a choice.

#67. If you work hard and accomplish your goals, the fear of age will not own you.

#68. You can’t replace a person with anyone else.

#69. If you feel like no one ever listens to you, try doing what you say you’re going to do. People hear integrity.

#70. The ego is weak, ineffectual, and it cannot sustain you. Go deeper.

#71. Humility is an indication of intelligence.

#72. You cannot be good at everything, nor do you need to be.

#73. Don’t enable others, and don’t allow others to enable you.

#74. Whether or not God exists, prayer works.

#75. Fear lies.

#76. Exercise is not over-rated.

#77. Soulmates exist.

#78. The universe is on its own time-frame. You won’t always get what you want when you want it.

#79. Don’t pick and choose biblical references. If you’re going to bring the bible into it, bring it all.

#80. There’s no such thing as casual sex.

#81. Before you set out to “teach someone a lesson,” ask yourself when the last time was that someone taught you a lesson.

#82. Make a list of daily goals and adhere to them. Over time, you’ll be amazed.

#83. Revenge only works on TV.

#84. Don’t throw the first punch… and don’t hold back once it’s been thrown.

#85. People know when they’re being manipulated.

#86. Think critically before forming an opinion. That way you won’t be that dumb ass who can’t seem to make up his mind about even his most basic perceptions and beliefs.

#87. If someone takes an interest in you, rest assured they want something, but don’t assume it’s something entirely self-serving either.

#88. The world will always want fantasy, glamour and romance. There are a million ways to work that to your advantage.

#89. Know the difference between business and pleasure and don’t mingle with those who don’t.

#90. If you want to go places, find out what people want and deliver it.

#91. Life is approximately 5% chance and 95% free will.

#92. The best way to age gracefully is to make it your goal to be a better person this year than you were last year.

#93. There will always be someone in your life who thinks everything needs to be done their way. Let them. It’s fun to watch them gape in stupid surprise when no one obeys.

#94. “Brushing your teeth” is a figure of speech. You need to clean your whole mouth.

#95. Trying to be unique is anything but unique.

#96. Don’t rush to lose your innocence. Once it’s gone, it doesn’t come back.

#97. People who have no heroes are either entirely without direction, or way too cynical.

#98. No matter the price, never let anyone own you.

#99. There’s always a choice. Always.

#100. Better to be naïve than jaded.

#101. Don’t allow people to misuse you. Simply don’t stand for it.


As I’m sure I’ve already mentioned, character writing is my favorite part of the fiction process. Nothing else–except maybe the finished product–is as satisfying to me personally as the moment a character begins to tell his or her story. Sometimes, they reveal themselves in slow sections, teasing you with their secrets and the private details of their personas. Sometimes, they come fully-formed in an in-your-face moment of undeniable clarity.

My intrigue with the process of character development is what keeps me writing, and it is what has prompted me to elaborate on it here, and dig a little deeper into some of the characters I’ve created, with the purpose of learning more about the mystery of it in general, and maybe even learning a little more about my own process. And, one of the most frequently asked questions any writer receives is about the development of characters, so I thought it might also be fun for the folks who have read my work to see the inner workings of my imaginary friends 🙂

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The first character that comes to mind, for some reason, is Brytt Tanner, Sterling Bronson’s dim-witted side-kick in Beautiful Monster, so I’ll start with him.

Brytt came into existence pretty early on in the plotting of Monster,  and if I remember correctly, it all started–as it often does–with his name. My co-author, Mimi A. Williams, met a man named Brytt in the workplace. The moment she mentioned the guy’s name, I knew I had to use it.

The first thing I knew about Brytt was that he was a stripper. I’m not sure why that was–again, probably the name. It just sounds kind of strippery, I guess.

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Next came his physical appearance. I figured a bulky, muscle-bound blond guy would be an interesting antithesis to Sterling’s dark, brooding good looks. I don’t like to create characters who look too much alike, and second, I’m a sucker for contrast. After ascertaining the basics of Brytt’s appearance, the next thing I did was start browsing the internet for his doppelgänger. This isn’t something I always do, but at times, I’ve found it helpful. So, I found a photograph of a guy that fit the mold, and referred to said picture when I needed to expound on details. I considered posting that picture here, but have ultimately decided against it. I think it’s best to let readers fill in their own blanks and use their own imaginations.

Not all of Brytt was pre-planned. He–like all good characters–came with a little of his own agenda, and one of the first things that surprised me was his dim-wittedness. I don’t know that I would have deliberately created him to be such a lunkhead, but as is so often the case, this is how he kind of “revealed” himself as I wrote him.

And it worked… which is also very often the case when you trust your characters to do their own things.

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It was also a surprise to me that Brytt was almost–but not quite–as morally corrupt, sexually deviant, and as dangerous as Sterling. In the beginning, Brytt was created, I think, simply as a means to give Sterling–who lives by himself–more opportunity for dialogue. But as the story progressed and began to demand artistic unity, Brytt began to play a significant role in the novel.

Brytt’s last name was tricky. A strange thing happened as we got further into the story. We started noticing a pattern… an absolute overuse–and abuse, really–of the letter C. We had Claire, Connie, Carlson, Cassidy, Carson, Carlisle, and probably several other names that began with the letter. I wish I could tell you why C became such a prominent player, but I can’t–I don’t know. Wierd things happen sometimes. So, after we made the discovery of the letter Cs undeniable overuse, Brytt’s last name–Carson–was changed to Tanner. Tanner, because at the time, I worked for a company with the word “Tanner” in the title. I’d been at the company for thirteen years, and figured it deserved some kind of recognition for paying my bills all that time. Unfortunately, Brytt probably isn’t really the most complimentary thing to be associated with, but for what’s it’s worth, I like him. He amused the hell out of me… and hey, it’s the thought that counts…

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I can’t remember if Brytt’s addiction to cocaine was a surprise or part of the plan, but this was the most fun, and most challenging thing about him. His constant “pit stops” kind of became his calling card, his personal catch-phrase in a sense, and it was interesting to describe the physical symptoms, like his glassy eyes and powder-congealed nostrils–and it was a total blast describing the actual snorting of the cocaine. I know… I’m kinda twisted that way, but it was fun. The snorting of coke is not glamorous. I wanted that to be very clear when Brytt did his thing, and it turned out being more hilarious than anything.

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Brytt is, believe it or not, one of my favorites. He was fun because he didn’t allow Sterling to take himself so seriously. Well, maybe Sterling took himself seriously, but Brytt made it impossible for me to take him–and the rest of the story–as seriously. Brytt is one of the reasons Beautiful Monster was so much fun for me. He moved the story along like a good character, he played by the rules by not demanding more stage time than his part required, and he forced me to learn more about the darker, sleazier side of life. I absolutely love him, and I have no doubt he will reincarnate, in some form or another, in my future writes.

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Beautiful Monster is available in paperback and ebook format at www.damnationbooks.com, and everywhere books are sold.

If you like my blog, also stop by and give me a like at my Facebook fan page: https://www.facebook.com/thejerodscott?ref=tn_tnmn


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Since an early age, I have had make-believe people in my head.  I know how that sounds and I am willing to admit its psychotic connotations. But quirky, questionable, batshit crazy, or otherwise, it’s the truth.  Psychologists might say I was unhappy and turned to creating an alternate reality to escape the misery of my own world.  But I don’t believe that.  I was a perfectly happy child.  Odd, but happy.  I just liked the idea of making up my own people whose lives I could script and design, and … who would live or die under my ruthless command (insert evil laugh here).

In the beginning of life, I suppose it seemed very normal.  Most kids have imaginary friends and the like… but mine weren’t really what I’d call imaginary friends.  I never interacted with my make-believe people, I just knew all about their lives: their names, jobs, locations, likes and dislikes, etc.  I used to sketch them out, and occasionally, I would put them in little stories, but many of them just sat until, by the time I was a teenager, I had notebooks populated with the profiles of these fictional characters and no idea why, or what to do with them.

By the time I was nearing twenty years old, I’d thrown away my stuffed animals and done away with ninety percent of my childhood fancies.  But one thing never changed: the people living in my head.  As I got older, they became more and more like real-life, three-dimensional human beings.  I suspect that as I matured, I began drawing on the traits of those around me, and those I saw on television.

You’d think that by now, when I sat down to write a story, I’d just pull out an old notebook and pick and choose characters. Instead, however, I’m still coming up with new people all the time. Different stories require different personalities, some of which haven’t yet come to my attention.

One of the most fascinating things about being a fiction writer, in my opinion, is getting into the minds of the characters. I use the word fascinating rather than fun because it isn’t always fun. For example, while writing Beautiful Monster, I was mortified at times to be in Sterling Bronson’s head. I remember frequently asking myself in various situations, What would Sterling do? and shuddering at the thought.

Currently, I am working on two projects. One is The White Room, which I still intend to have finished sometime near the end of summer. I’ve made this manuscript a lot more fun by discovering the joys of third person narrative. In this book, I get to explore multiple points of view, and now that I’ve begun doing it this way,I wonder how on earth I ever wrote from just one character’s perspective. The White Room is full of all kinds of fascinating points of view. There are good guys, villains, victims, sexually deviant women, men with addiction issues, living people, some undead folks, and even a guy with obsessive compulsive personality disorder. I’m seeing the world through several different pairs of eyes and I’ve never had as much fun writing as I am with this one.

The other project I’m working on is much different in a lot of ways. I can’t elaborate on this one too much because it’s still kind of top-secret… but it’s getting written, and it’s going well. For this one,  I am also exploring a few different points of view, but this is a whole new experience because I’m writing from a ten-year-old boy’s point of view…as well as a very old woman’s. This project is teaching me new things, expanding me in fascinating ways, and forcing me to stick to the point as it’s not intended to be a full length novel.

Having learned to see one story through the eyes of multiple characters has shown me new layers to the stories, as well as cleared up numerous issues I’ve had with past manuscripts which never reached completion. To be honest, I don’t know if I will ever return to first person…unless, of course, it seriously benefits a story I’m writing.

Anyway, I’d love to hear from readers and other writers on this topic. I’d like to know what readers love–and hate–about characters. I’d also love to hear from other writers about their process in character development.

Thanks for reading!

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Her mouth preys on my body

And the secrets that it keeps

And only in those moments

Does my own damnation sleep

Her kisses pierce my skin

As only glisten-quick lips can

She resurrects my pleasure

With a devil-red command

With ravenous hands I venture

 And with blind eyes do I see

Her body on my body

Like a whole new piece of me

And pieces of her linger

When she’s long since left the room

I wear her scent like leather

Her tattoo of Blue Perfume

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© Jerod Scott


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Only in the darkness

Does truth tell itself so well

So eloquent, so honest

With  no vanities to sell

Behind the black of masks

So brave becomes the soul

In the bliss of freedom from

The illusion of control

The abandonment of past

And of vast contingencies

Based on gracious ventures

That no one even sees

But to come untamed before

Someone that you trust

To transcend this blend of ecstasy

And fleet of freeze-dried lust

Standing back, aghast

Faced with your own strength

With no lace to give permission to

The light of day’s broad length

It is here that I find freedom

In this pitch-black synagogue

It is here I find religion

It is here that I find God

© 2009 Jerod Scott


Being a writer isn’t a choice. It’s a condition and those of us afflicted are intimately acquainted with the suffering we were born to endure. Because our tortured lives are lived in the service of our art, we strive to sacrifice our very souls at the altar of literature for the sake of presenting the world with the beauty of our pain.

Today, we have decided to share with you the burdensome joy of our oft-flailing endeavors to create for you, Dear Reader, the finest, most insightful fiction our poet-souls can spew forth.  We shall reveal our rituals and our deepest secrets so that you may understand what all writers go through every day of their tormented lives to give the gift of verseful prose and to keep the word-thirsty demons of our condition at bay and our sanity at least partially intact.

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TT: So, Jerod, I used to use heroin to spark my imagination, but that wasn’t quite elegiac enough, so now I make my own absinthe. Not only is it a staple of great literary tradition, I also find the color green clarifying and provocative and it allows me to maintain both creativity and beauty in my life. Do you have a similar support system?

JS: I gave up absinthe when my liver protested too much. I replaced that sweet nectar by the very bonnet Laura Ingalls Wilder wore when she was compelled to write her Little House on the Prairie series. It still brandishes the magic of long ago, which really was beneficial when channeling Sterling Bronson in Beautiful Monster. http://www.amazon.com/Beautiful-Monster-Mimi-A-Williams/dp/1615727752/ref=sr_1_17?ie=UTF8&qid=1364787121&sr=8-17&keywords=Beautiful+Monster Tamara, what attire do you don to conjure up your tortured brilliance?

TT: I dress as a Union gunnery officer, circa 1864, because after all, isn’t writing a war with words?  Words are my rifle, my computer is my sabre and rattling it is my life.  I’ve worn this outfit for all my novels except Moonfall when I found it necessary to dress in a full Felician nun’s habit, complete with the garters and holey leggings of the Benedictine monks.  Do you perform any rituals to enhance your performance?

JS:  I believe that to get to the creative depths of our souls, we must maintain the precarious balance of each of our universes by creating and destroying in equal portions. That being said, my rituals include but are not limited to breaking furniture, smashing mirrors, throwing champagne glasses into the fireplace, watching I Dream of Jeannie reruns, and animal husbandry.

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No, but seriously, my real rituals are far less spectacular than any of those.  I like to wear electronic nipple clamps while I’m slaving over my work. There’s something about the power juicing through my body that I believe adds an adventurous edge to my writing. I also center myself by counting the hairs on the back of my left hand.  There are many hairs and this helps me find inner peace. It’s my Zen moment of the day and I always look forward to it.  Do you have any rituals, Tamara?

TT: I do, but none as interesting as yours, I’m afraid.  I keep a framed signed photograph of a young Samuel Clemens over my computer.  It’s been handed down in my family since he presented it to my great-great-grandparents, Chester and Sarah Bellham as a wedding gift in 1859.  (They were traveling after their wedding on the very first steamboat he piloted after receiving his license.)  Each evening, at the end of the working day, I close my computer and light a votive candle kept on the little altar below the portrait.   Then I choose thirteen ants out of my husband’s ant farm and hold them, one by one, over the flame with long tweezers until they crisp while I recite these lines partially from Tolkien:

Cut the cloth and tread the fat!

Leave the bones on the bedroom mat!

Pour the milk on the pantry floor!

Splash the wine on every door!

Hubba hubba shebop shebop

Hobbits, don’t let my new book flop!

 Those lines have spoken to me since I was ten years old in ways I can’t begin to explain, even to myself. Perhaps it’s merely silly superstition, but I believe that these small sacrifices aid my creativity.

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JS: That’s amazing, Tamara. I do the same thing, but I didn’t admit it earlier because I didn’t want PETA to go after me.  I do it a little differently. My altar includes a painting of Stevie Nicks and a tambourine, which I shake vigorously before sacrificing my ants to her. After the sacrifices have been executed, I look up to the Stevie Nicks painting and recite the following lines three times:

“Just like the white-winged dove…

Sings a song, sounds like she’s singin’

Ooh, baby, ooh, said, ooh…”

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TT: Why Stevie Nicks?

JS:  Why Mark Twain?

TT: Good point.  We all contend with our private demons in our own ways.  Jerod, they say no book is written by just one person, so tell me what role your wife plays in your writing life.

JS: She lies. She tells people I’m a plumber because she’s very embarrassed, but in private, she’s quite supportive, going so far as to help me count the hairs on the back of my hand to help me focus. I couldn’t do it without her because she’s a far keener mathematician than I.  What of Robert Damien?  How does he cope with your literary mistress?

TT: Threesomes.  Well, Jerod, in closing, what advice would you give to new writers?

JS: As a natural born writer, you’re surely already hanging on to life by the thinnest of threads, so my advice to invest in plenty of anti-depressants, read books such as The Story of O by Pauline Réage, Valley of the Dolls by Jacqueline Susann, and of course, The Back Passage by James Lear. Also, find a good luck charm – worry stones. It’s nice to have something to rub whilst pounding away at your work, and according to ancient legend, worry stones are also good for your circulation depending on the vigor of your worry. Additionally, porn is good because it clears the mind, but make sure you have a keyboard cover.  Exercise.  Kegels are great because you can do them right at your desk and the keyboard cover also comes in handy. Also I glue leather elbow patches to my Lycra Spandex unitard and carry around a meerschaum pipe because it makes me look literary. I advise all new writers do something similar. Think like the writer — BE the writer! What’s your advice, TT?

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TT: I advise always taking writing very, very seriously. There’s no joking around when it comes to being a Published Author.  This is a business, damn it, and you must be a professional at all times. Make sure, as well, that your subtext is well thought out and inserted consistently so that people will know just how brilliant you are–and obviously, you must be sure there are always many deeper meanings in whatever you are writing. Thinking like Camus is excellent for romance writers, and I recommend Nietzsche for humorists, but the cant of any serious philosopher will fit the other genres.

Any more to add, Jerod?

JS:  Yes. I agree one hundred and seven percent.  You must take your art as seriously as you do every breath you take. Each move you make and each claim you stake in writing is important. You don’t have to put on the red light. Just write. Write like the wind. And remember, I’ll be watching you.

TT: One last question, Jerod. However did you get the original Laura Ingalls Wilder bonnet?

JS: eBay.

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Love

Dianna Love is the New York Times best-selling author of the Slye Temp novels, the Belador series and the Bad Agency series with Sherrilyn Kenyon as well as several other novels and series. I discovered her by accident a few years back, and it was one of the best mistakes I’ve ever made. I’ve been a huge fan of her work from the first sentence of hers that I read.

I was overjoyed when she agreed to do an interview for me, but when she sent me signed copies of several of her books, and said she wanted to do a giveaway on my blog, I was ecstatic. Dianna is one of the kindest, most open and giving person I’ve met in a long time, and her assistant, Cassondra Murray, whom I’ve also become acquainted with, is just as great.

For today, Dianna will be around to interact with her readers, answer questions, and let them get to know her a little. Just leave a comment. Also, those who leave comments today (February 14th, 2013) will be put into a drawing and three people will win one of three possible prizes. Dianna will give away a copy of LAST CHANCE TO RUN, JUSTIFIABLE, and  TIME TRAP (one book to each of three winners who comment.) She will also include a Keeper Kase with each one.

Before we get to the interview, here is a synopsis of each of the novels she will be giving away.

TIME TRAP:

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Her memory is blank.  Her future’s in question.  Her power is dangerous.

Waking up in an unknown world, Rayen learns only that she’s seventeen and is hunted by a sentient beast.  Terrified that she may never learn  who she really is or find her way back to her home, she’s captured in a  land that is at times familiar even if the people and the structures  seem alien.  When local law enforcement delivers her to a private  school, she’s labeled as a Native American runaway, and Rayen discovers a secret with deadly repercussions.  Forced into an unlikely alliance  with a computer savvy street punk and a gifted oddball girl to save  their world – and the future – Rayen finds the key to an identity that  no person would want.

JUSTIFIABLE:

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Children are missing, adults are  being murdered and a city is on the brink of exploding.  The key to  saving lives is a secret whispered in confession.

Once a beloved, award-winning investigative journalist, Riley Walker  now anchors for a television station rated the worst in Philadelphia.  That’s how it works when a top newsman makes an epic mistake in front of the whole world. The busier Riley stays, the less he thinks about the  one decision that will haunt him forever.  His vow?  Never get involved again.  That works until a killer uses Riley’s past against him, and targets a  child the world has forgotten. Riley is the only one who can save him,  but when Riley digs deep for the truth, he uncovers evidence fingering a powerful player no one will believe is guilty. Dangerous politics pit  Riley against a serial killer, and threaten all he’s fought to regain

To save the life of a child and stop a killer on a savage murder  spree, Riley must fight an enemy far greater than the tide of public  anger rolling against him. He’ll have to face his own demons, and the  horror of the child who died because the last time…Riley was wrong.

and LAST CHANCE TO RUN:

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To an undercover agent, she’s a Person of Interest. He’s interested.

Escaping the compound of a deadly international felon–with a fortune in rare, stolen coins hidden on her body–elite athlete Angel Farentino has to make the most important run of her life. Literally. With her father in prison, where he belongs, and a prior undeserved conviction hanging over her head, she has nowhere to turn and no one to trust. Definitely not law enforcement who railroaded her through a judicial nightmare. One step ahead of lethal men and dogs on her trail, she runs into the arms of a dark stranger willing to help her if she’d let him. But that would only get the sexy pilot killed. Between figuring out who’s sabotaging his undercover work for the DEA and trying to save his baby sister from herself, Zane Jackson has enough on his plate. The last thing he needs is to get entangled with a woman who’s treading on the wrong side of the law. But when the long-legged distraction races into the middle of his operation and stows away on his plane, a primal need to protect forces Zane to risk everything, starting with his heart.
Just leave a comment and be eligible to win!
And now, for Dianna’s interview. Thank you, Dianna, for the wonderful interview, and thank you, Cassondra, for your kindness and hard work.
Dianna Love Blogs with Jared Anderson Feb 14th 2013
Q: I’ve read that you never intended to be a published author, that one day you just wrote down a story that had been playing in your mind. What made you decide to write this story down?
*** I spent many years working alone way up in the air painting large murals.  I never liked listening to the radio (before Sirius FM) so I’d make up stories in my head to keep myself entertained during work days that lasted twelve to fifteen hours.  Then I stopped climbing so much and thought I’d write down the one that had been coming back to me over and over.

 Q: What was the story about?

*** It was about a woman on the run who was carrying a fortune in rare coins that someone else stole.  She has to stay away from the law until she can prove she’s innocent, but she stows away on the charter airplane of a man working undercover for law enforcement.  The story was published as a short romantic suspense, but  I’ve recently gotten back the rights to that book, rewritten it as a romantic thriller and put it out under a new title..but more about that later.

Q: What was your journey to publication like?

**** I was fortunate in that I sold the first book I wrote, but anyone who’s been in this business for any length of time knows that’s not ever “all the story.” Right after I sold, my first senior editor was moved out of that position and the new one who came in was entirely different to work with and we never could make a connection.  I eventually realized I was writing books that were too big for what that house published, so I switched gears and went in another direction toward romantic thrillers.  At that same time, I was also working on an urban fantasy series that I kept pitching, but was constantly  told was too unusual.   Fast forward six years and the urban fantasy genre had done some growing.  The Belador series sold at that point.  Regardless of what genre I’m writing at any particular moment, there is always a suspense/thriller element.

Q: Can you describe your usual writing process?

*** There are plotters and pantsers (seat-of-the-pants writers), but I call myself a hybrid.  I’m always telling writers to find “their own  process” and go with it.  All that matters, in my opinion, is producing a great story.  I’m a type-A person, so I prefer to plot out complex threads.  I generally start with brainstorming an idea then I write a couple chapters to get a feel for the characters, and then I start plotting.  If know I won’t write myself into a corner, that allows me the freedom to be as creative as I want when I’m laying down pages.

Q: How do you know when an idea is a good one?

*** I’ve never been asked that and love this question!   When I hit on an idea for several major surprises in a story, or something that will make a story very different, I get really pumped.  That’s the moment that I can’t wait to begin telling the new story.  I have to be entertained first if I’m going to write it. If it becomes slow or dull anywhere I stop and back up to where I was last excited about it, figure out where something isn’t working, fix it and move ahead.  I’m like a kid who is not easily entertained, which I think is a good thing because if I can write something that holds me, then I feel good about it holding the ultimate audience–the readers.

Q: Have you ever written a book that you were dissatisfied with, and why were you dissatisfied?

***When I was first writing I tried my hand at writing a character who was a beta male and found out quickly that I sucked at that, so I tossed that book.  I enjoy the high action of black ops type characters and thrive on putting characters into difficult physical and emotional situations, then figuring out how to get them out of the jams I’ve thrown them into.

Q: Have you ever read a book you wished you’d written, if so, what book, and why?

***I’ve read a lot of books that I’ve admired, but haven’t wished I’d written them so much as wished I’d thought of the clever idea that inspired the story.  Like the plots that Tom Clancy and James Rollins have written or the plot for The Sixth Sense or the Bourne series…or that last A-Team movie.

Q: Aside from writing, you enjoy fishing and riding motorcycles. These are very different activities. What is it about each of them that turns your crank?

***I was obviously a tomboy growing up.  I fished from the time I could hold anything in my hands and rode motocross bikes in my teens.  I still love to fish, especially light tackle, because it’s quiet and exciting at the same time.  With saltwater fishing, you never know what might bite.  I’m riding a BMW motorcycle these days and screaming along the highway is almost like flying on the ground.  I forget about everything when I fish and ride my bike. Those are two great ways to give my brain some down time, even though I do plot stories while I ride.  Then there’s writing, which is something I practically breathe.  I need to be creative and I love puzzles, which is what a complex thriller is to me.  I must have a challenge at all times.  It’s just part of my makeup.  Writing is one of the most difficult and wonderful challenges I’ve ever come across and hope to be doing it until my last day on earth.

Q: Which of your characters do you feel is the most dynamic and life-like?

*** Right now, I would say Evalle Kincaid, who is the key player in the Belador urban fantasy series.  She is so flawed and so loyal and so determined that it’s easy to cheer for her.  She fights for everything she gets and is shunned by many, yet she’s got a heart of gold and makes the hard choices even when she’s the one with the most to lose.

Q: If you could meet one of your own characters in the flesh, who would you choose to meet and what would you say to him or her?

***I would like to meet Angelina Farentino and thank her for inspiring me to become an author. She is the female protagonist in my first suspense story—the one I mentioned earlier.  I first wrote the story as a full-length romantic suspense, but cut the book down to a shorter novel to fit the publisher’s criteria.  I got the rights back last year, and I’ve just revised the story back to a larger, high-concept romantic thriller.  The new book is LAST CHANCE TO RUN, and was released in December as the prequel to my new Slye Temp romantic thriller series.  Angel and I have come a long way together.

Q: Have you ever based a character off someone you didn’t like and done bad things to them?

***No. I like creating really deadly villains and having the freedom to make them pay without feeling any hesitation or remorse.

Q: What is it like being a New York Times bestselling author?

*** I feel very fortunate to have books on the NYT and USA Today bestseller lists.  I’m humbled and thrilled to have reached this point in my career, and thank every person who has ever read one of my books.  I spend a lot of time on the road talking to readers and writers in an effort to give back for what so many have given to me.

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Q: You have collaborated with Sherrilyn Kenyon on several works. What do you most love about working with her?

***Laughing.  We met when my first book was out and we started touring together for her books over the next year.  It was during one of those trips when we’d just returned at two in the morning from a signing that we were talking to wind down and the subject of the BAD Agency series came up. I started brainstorming an idea for the series, because I love to brainstorm.  Sherrilyn liked it and suggested we co-write.  My answer?  Well, my mama drowned the dumb kids. 🙂

Q: What is the best thing about collaborating with another author?

***Those moments of discovery where someone comes up with a great element that you didn’t think of or the other person has a suggestion that takes the story in a direction that really jacks up the tension.

Q: What is the most challenging thing about collaborating with another author?

***I’ve spoken to a lot of writers and tell them to be careful about collaborating just because they are “good friends.”  If anything, that’s dangerous to the friendship.  The one thing I said to Sherri was that our friendship meant more to me than a contract and she agreed.  If the first book had created problems for us, there would not have been a second, but we’ve just released number six.  So the most challenging things are being secure enough to allow each other to edit at will, and trusting each other to do the right thing by the book.  When we started, we made a deal on one important thing – no sacred cows.  It didn’t matter who wrote which words – everything was up for revising or editing.

Q: What advice would you give to two writers who were contemplating a collaborative novel?

***I sort of answered that in the previous question, but I would add that it’s important to get documentation in place for the terms of the collaboration and what would happen if one of the two dies.  Make sure to go to literary or entertainment attorneys familiar with the business.

Q: What do you consider the highlight of your career as a novelist?

***Hitting the New York Times over and over again never gets old, but the first time I was asked to be the keynote for a large reader event was quite amazing.  I’ve given other keynotes since then, but it’s that first one when you’re so flattered to be asked and amazed when you walk in to a packed room.

Q: Which part of the writing process is hardest for you?

***I love to brainstorm and work out the puzzles of each plot, and I enjoy writing the scenes.  I write pretty clean so revising isn’t usually that big of a deal.  All that said, I get so caught up in the action and emotion in the first draft that it’s not until the second run through, or the polish, that I focus more closely on the physical descriptions and setting.  I know what they look like and I can see every detail as though it was a movie running through my head, but I have to work at remembering to include those things.

Q: What are you working on now?

*** I’m writing on my new Slye Temp series.   A blown CIA operation in the UK destroyed an elite mercenary black ops unit two years ago. Surviving members disappeared to heal their wounds, and have now resurfaced as part of Slye Temp, an agency contracting security work with corporate America.  At least, that’s what goes on above ground.  LAST CHANCE TO RUN was the prequel, and the other three books will be released this year.  NOWHERE SAFE  will be out this month—February 25th.

I’m very excited about a new venture into Young Adult fiction written for ages 14+.  I just released TIME TRAP, book one in the Red Moon series, under the pseudonym Micah Caida (co-authored with Mary Buckham).  It’s an epic sci-fi/fantasy adventure that will appeal to fans of The Hunger Games.  Early readers from age 12 to age 50, both male and female, have said “it’s like nothing I’ve ever read before.”

I also just released my first mainstream thriller, which was a collaboration with former NBC anchor Wes Sarginson.  JUSTIFIABLE is Book One of the Riley Walker novels, which blend Wes’s experience in investigative journalism, and Dianna’s experience writing thrillers.

Happy Valentine’s Day to all the readers out there!  I hope every one of you finds your perfect hero or heroine.


The writing life, for the most part, is not glamorous, but every so often, something really fantastic happens, and it reminds me of the reasons I wanted to do this. I’ve made a commitment to chronicle these things as a way of keeping myself from taking it for granted. I call these my “Rockstar Moments” because they make me feel like a rockstar! My most recent Rockstar moment came a few days ago.

Recently, I’ve been assisting my friend and fellow horror author, Tamara Thorne, in proof-reading some of her earlier books which are currently being converted into eBook format. Tamara does all the hard stuff – I just double check for typos that the scanning sometimes produces. I’ve been a Tamara Thorne fan since the ’90s, so really, it’s just an excuse for me to read really good books. Anyway, the latest Tamara Thorne book that’s been successfully converted into eBook format is Eternity.

Until I started proofing it, I’d never read Eternity, so this one was especially fun. I’ve read (and in several cases re-read) Bad Things, Haunted, Moonfall, and The Sorority Series (Eve, Merilynn, and Samantha) but there were still a few out there that I hadn’t had the chance to get.

I plowed through Eternity, trying very hard not to demand the chapters from Tamara faster than she could restore and send them. Whereas most great stories have their climactic end, Eternity felt to me like one big, wonderfully on-going peak that just kept getting higher and higher. Seriously. This book has it all: serial killers, famous missing persons, horror, shrewd humor, murder mystery, a dash of sci-fi, and even a bit of romance. What’s not to love?

So the fact that I genuinely love this book only makes my recent Rockstar Moment that much sweeter. After the conversions were finished, Tamara sent me the file to look over, and this is what I saw:

This is probably one of the coolest things that’s ever happened to me. I couldn’t be more honored.

Thank you, Tamara, for your very kind gesture. Words fail.

Eternity is now available in eBook at: http://www.amazon.com/Eternity-ebook/dp/B00AA3WWW6/ref=sr_1_7?s=digital-text&ie=UTF8&qid=1353445662&sr=1-7&keywords=Eternity. It will be re-released in paperback next year.

Also, be sure to check out Tamara’s Little Blog of Horrors at: http://tamarathorne.wordpress.com/


Hello, and happy Halloween!

Today was the last day to participate in the “Name That Serial Killer” contest that my co-author, Mimi A. Williams and I hosted for a chance to win a signed copy of Beautiful Monster. I’m thrilled by the amount of people who participated and surprised by how well everyone did! There is a definite winner which we will announce on our Facebook page (http://www.facebook.com/beautifuldamnation?ref=hl) within the next few days, but with so many people doing such a great job, we’ve decided to give out some books to the runners-up as well. Thank you to everyone who participated. You guys rock.

The proof copy of my dear friend Patricia Scanlan’s upcoming novel, With All My Love, arrived in the mail last weekend. Patricia mailed me the book several months before its official release as a token of appreciation, and I couldn’t be more flattered or more honored by the gesture. I haven’t had a chance to get into it yet, but I’m stoked about being the first person in the United States to read it, so I can’t put it off much longer! With All My Love will be released on Mother’s Day (March in Ireland, May in the U.S.) and along with it, I’ll be posting an interview I did with her several months back. As soon as I get the go-ahead, I’ll also post some pictures of the book.

The past weeks have been busy with critiquing, reviewing, and proof reading that I’ve been doing for a few of my writer friends, and I’m making good headway on the project formerly known as The White Room. I finished chapter ten last week and am still hopeful I can have it finished by (or shortly after) the end of 2012. I’d hoped the re-writes wouldn’t be too heavy, but in truth, I’m re-writing the entire book, so it’s going to be a few more months before it’s ready to be submitted.

The good news is, I’m finding ways of being more efficient. I’ve learned that if I do my writing in the mornings, the critiquing and proofing for other folks in the evenings, and spend a few hours working on Saturday, I can take Sundays off…which is becoming more important to me as I get busier and busier. Also, I have officially employed a research assistant who is currently investigating blood types and vampire lore…and taking a lot off my shoulders!

Busy as it’s been, I love it. This is what I’ve always wanted, and I’m happy to say that all the hard work of writing (and it is hard work!) is well worth it.

I hope you have a fun and safe Halloween. I plan to hole up in bed with The Haunting of Hill House!  

On a final Halloween-related note, the San Gabriel Valley Tribune in California did an interview with my good friend Tamara Thorne. It’s always interesting to get a look at the minds behind the stories. Check out Tamara’s interview at: http://www.sgvtribune.com/living/ci_21877136/celebrated-horror-novelist-tamara-thorne-finds-inspiration-close