Archive for the ‘Kink’ Category


Leather Boots

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You’ll come to me at midnight

Indecent and discreet

You’ll leave behind the hostile night

And bring the fever of the streets

You’ll wear the city musk

That suits you so well

And the resounding leather boots

That betray your secret trail

I won’t ask you to leave

But I won’t ask you to stay

I know that you’ll be gone

Long before the break of day

And later, there will be no pleasantries

Or even childish disputes

No, your thoughts will be on someone else

Before you’ve finished lacing up your boots

* * *

© Jerod Scott

* * *

Leather Boots is the first piece that I ever had published, so I am especially proud of it, but I think the real reason this one is special to me is because it said everything I wanted it to say. That rarely happens. But it wasn’t easy to write.

 It spent most of its early life in a drawer in my coffee table. I kept taking it out and working on it because I knew it had potential but I was very discouraged with it for a very long time. 

Leather Boots is about emotional misuse. Boots have kind of become my trademark in writing—I even put them in my fiction—and usually, they represent protection, preparation… being on guard.  You can wear boots in summer, winter, spring or fall and never have to worry about the weather; they are kind of like the all-weather tires of footwear.  So, this poem is also about being on guard, ready for anything… but the boots do come off very briefly in the end.  That is significant to me.

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As I’m sure I’ve already mentioned, character writing is my favorite part of the fiction process. Nothing else–except maybe the finished product–is as satisfying to me personally as the moment a character begins to tell his or her story. Sometimes, they reveal themselves in slow sections, teasing you with their secrets and the private details of their personas. Sometimes, they come fully-formed in an in-your-face moment of undeniable clarity.

My intrigue with the process of character development is what keeps me writing, and it is what has prompted me to elaborate on it here, and dig a little deeper into some of the characters I’ve created, with the purpose of learning more about the mystery of it in general, and maybe even learning a little more about my own process. And, one of the most frequently asked questions any writer receives is about the development of characters, so I thought it might also be fun for the folks who have read my work to see the inner workings of my imaginary friends 🙂

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The first character that comes to mind, for some reason, is Brytt Tanner, Sterling Bronson’s dim-witted side-kick in Beautiful Monster, so I’ll start with him.

Brytt came into existence pretty early on in the plotting of Monster,  and if I remember correctly, it all started–as it often does–with his name. My co-author, Mimi A. Williams, met a man named Brytt in the workplace. The moment she mentioned the guy’s name, I knew I had to use it.

The first thing I knew about Brytt was that he was a stripper. I’m not sure why that was–again, probably the name. It just sounds kind of strippery, I guess.

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Next came his physical appearance. I figured a bulky, muscle-bound blond guy would be an interesting antithesis to Sterling’s dark, brooding good looks. I don’t like to create characters who look too much alike, and second, I’m a sucker for contrast. After ascertaining the basics of Brytt’s appearance, the next thing I did was start browsing the internet for his doppelgänger. This isn’t something I always do, but at times, I’ve found it helpful. So, I found a photograph of a guy that fit the mold, and referred to said picture when I needed to expound on details. I considered posting that picture here, but have ultimately decided against it. I think it’s best to let readers fill in their own blanks and use their own imaginations.

Not all of Brytt was pre-planned. He–like all good characters–came with a little of his own agenda, and one of the first things that surprised me was his dim-wittedness. I don’t know that I would have deliberately created him to be such a lunkhead, but as is so often the case, this is how he kind of “revealed” himself as I wrote him.

And it worked… which is also very often the case when you trust your characters to do their own things.

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It was also a surprise to me that Brytt was almost–but not quite–as morally corrupt, sexually deviant, and as dangerous as Sterling. In the beginning, Brytt was created, I think, simply as a means to give Sterling–who lives by himself–more opportunity for dialogue. But as the story progressed and began to demand artistic unity, Brytt began to play a significant role in the novel.

Brytt’s last name was tricky. A strange thing happened as we got further into the story. We started noticing a pattern… an absolute overuse–and abuse, really–of the letter C. We had Claire, Connie, Carlson, Cassidy, Carson, Carlisle, and probably several other names that began with the letter. I wish I could tell you why C became such a prominent player, but I can’t–I don’t know. Wierd things happen sometimes. So, after we made the discovery of the letter Cs undeniable overuse, Brytt’s last name–Carson–was changed to Tanner. Tanner, because at the time, I worked for a company with the word “Tanner” in the title. I’d been at the company for thirteen years, and figured it deserved some kind of recognition for paying my bills all that time. Unfortunately, Brytt probably isn’t really the most complimentary thing to be associated with, but for what’s it’s worth, I like him. He amused the hell out of me… and hey, it’s the thought that counts…

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I can’t remember if Brytt’s addiction to cocaine was a surprise or part of the plan, but this was the most fun, and most challenging thing about him. His constant “pit stops” kind of became his calling card, his personal catch-phrase in a sense, and it was interesting to describe the physical symptoms, like his glassy eyes and powder-congealed nostrils–and it was a total blast describing the actual snorting of the cocaine. I know… I’m kinda twisted that way, but it was fun. The snorting of coke is not glamorous. I wanted that to be very clear when Brytt did his thing, and it turned out being more hilarious than anything.

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Brytt is, believe it or not, one of my favorites. He was fun because he didn’t allow Sterling to take himself so seriously. Well, maybe Sterling took himself seriously, but Brytt made it impossible for me to take him–and the rest of the story–as seriously. Brytt is one of the reasons Beautiful Monster was so much fun for me. He moved the story along like a good character, he played by the rules by not demanding more stage time than his part required, and he forced me to learn more about the darker, sleazier side of life. I absolutely love him, and I have no doubt he will reincarnate, in some form or another, in my future writes.

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Beautiful Monster is available in paperback and ebook format at www.damnationbooks.com, and everywhere books are sold.

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Remember that time she grounded you for no good reason? And the way she always felt it necessary to inject her unfavorable opinions about all your friends? She still does this, doesn’t she? Well, now is your chance to settle the score without all the guilt.

This year, give Mother the gift she deserves with Beautiful Monster. The unrelenting, soil-yourself terror will raise her heart rate which has been proven to improve heart health. The fear coursing through her veins will also strengthen her bladder control, saving money on adult diapers, while the more-than-is-good-for-you dose of explicit sex will increase her cardiovascular health as well as reignite her passion for life and remind her of her days of vitality.

On top of all this, the raw violence and unabbreviated horror is a great muscle-toner as Mother strains to maintain her position at the edge of her seat. With Beautiful Monster, you can both mortify Mother and increase her health, making this a win-win situation, so this year, say I love you with Sterling.

She may never forgive you for it, but hey… now she’ll know how you feel…

 

Beautiful Monster by Jared S. Anderson and Mimi A. Williams

“Finally, a serial killer women can sink their teeth into…”

Tamara Thorne

–Author of Haunted, Moonfall, and Candle Bay

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Beautiful Monster is available in eBook and Paperback at Damnation Books: http://www.damnationbooks.com/book.php?isbn=9781615727742

Barnes & Noble: http://www.barnesandnoble.com/w/beautiful-monster-mimi-a-williams/1112783047?ean=9781615727759

Amazon: http://www.amazon.com/Beautiful-Monster-Mimi-A-Williams/dp/1615727752/ref=sr_1_5?ie=UTF8&qid=1354247199&sr=8-5&keywords=Beautiful+Monster

and everywhere books are sold.

 

Twitter: https://twitter.com/jerodscott77

Goodreads: http://www.goodreads.com/author/show/6517308.Jared_S_Anderson

Beautiful Monster fan page: http://www.facebook.com/beautifuldamnation?ref=hl


Her mouth preys on my body

And the secrets that it keeps

And only in those moments

Does my own damnation sleep

Her kisses pierce my skin

As only glisten-quick lips can

She resurrects my pleasure

With a devil-red command

With ravenous hands I venture

 And with blind eyes do I see

Her body on my body

Like a whole new piece of me

And pieces of her linger

When she’s long since left the room

I wear her scent like leather

Her tattoo of Blue Perfume

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© Jerod Scott


blindfold

Only in the darkness

Does truth tell itself so well

So eloquent, so honest

With  no vanities to sell

Behind the black of masks

So brave becomes the soul

In the bliss of freedom from

The illusion of control

The abandonment of past

And of vast contingencies

Based on gracious ventures

That no one even sees

But to come untamed before

Someone that you trust

To transcend this blend of ecstasy

And fleet of freeze-dried lust

Standing back, aghast

Faced with your own strength

With no lace to give permission to

The light of day’s broad length

It is here that I find freedom

In this pitch-black synagogue

It is here I find religion

It is here that I find God

© 2009 Jerod Scott